Comments on: How To Use Round Robin In FL Studio

By: Petri Suhonen

Petri Suhonen — Mon, 04 May 2015 02:59:48 +0000

In reply to Vannah.

I’m very glad to hear that, many thanks!

By: Vannah

Vannah — Sun, 03 May 2015 18:28:58 +0000

Thank you for all the tutorials, I’m so appreciative of them! I’m really enjoying them. I used this tutorial for a totally random mix of claps and percussion and it ended up just sounding super cool. Mahalo!

By: covurt

covurt — Sun, 13 Apr 2014 09:23:20 +0000

In reply to covurt.

I mean ive ever used direct wave but not in this way,……. gee,… I think dis tut just tells me i shd go n check it out more,,…thx again

By: covurt

covurt — Sun, 13 Apr 2014 08:33:42 +0000

hehe ive used this Robin thing b4 but i didnt even knw its name,…… plus i didnt even knw wat it does#
Thx a bunch men,…..mwah(no homo)

By: Dan

Dan — Thu, 10 Apr 2014 21:46:11 +0000

Thank you for this tutorial. The round robin technique shouldn’t be significantly noticeable, but when properly applied it adds life to a drum groove. With electronic samples, a way of making variants of the same sound is add a subtle flanger, phaser, or similar effect and record multiple instances of the sound via Edison. 🙂

By: Paul

Paul — Wed, 26 Mar 2014 04:37:15 +0000

Aw, shame! I want to do this on a snare sample but I only found it on the internet so I can’t rerecord like the ones in the tutorial.

By: Daniel Galaz

Daniel Galaz — Fri, 21 Mar 2014 11:23:14 +0000

Petri!

First and foremost, I’d like to thank you from the bottom of my heart for all of your tutorials in your website. I deeply, deeply appreciate and am very grateful of you sharing your knowledge with the public.

I’ve followed your site since 2012 and I haven’t seen ANY, ANY better site to learn the vast universe of music production and also the awesome FL Studio. You have an awesome and beautiful spirit and I’m sure everyone here feels the same.

Any who, this is an awesome tutorial for variation. I’ve been using this method ALOT. Thanks, Petri!

On the side note, Petri; I have come across a method in regards to EQ’ing, (Of course, through your tutorials and articles you’ve forwarded to us), and I would love and appreciate your feedback whenever you have the time to respond. Here it is:

When I’m EQ’ing, I make sure that no 2 of the same instruments, whether it be bass, kick, lead, share the same frequency. On every instrument , (one by one), I write down the frequency that I believe sounds the best(this is also including subtractive EQ’ing), to me. I do this until in the end, so that NO sounds share the same frequency.

My question is if my method is effective. I understand that if sounds good to me, then it’s good. However, the frequencies are what confuse me the most when I sidechain a specific frequency. In this example, a sub bass. Do I EQ it to my liking and THEN I sidechain the (1) band?

I know this post is super long but I’m just trying to emphasize and try to articulate how serious I’am in regards to producing music. Anyways; Petri, once again thank you so much for everything, man. I love you so much for your humbleness and energy. Peace.

By: Petri Suhonen

Petri Suhonen — Fri, 21 Mar 2014 01:42:04 +0000

In reply to Roswell.

Thank you!

By: Petri Suhonen

Petri Suhonen — Thu, 20 Mar 2014 00:49:42 +0000

In reply to Jordan.

Here they are:

https://howtomakeelectronicmusic.com/downloads/HTMEM-Keystrokes.zip

😎

By: Roswell

Roswell — Wed, 19 Mar 2014 21:13:04 +0000

Good tricks as ever.
Really nice tutorial. & thanks again about your demo upload.
Cheers.